الاتساق الصوتي في عهد الإمام علي (ع) لمالك الاشتر دراسة في ضوء لسانيات النص

حوراء غازي عناد السلامي

Abstract


 

Summary voice consistency in the era of Imam Ali (AS) to Malik Ashtar study in light of the text linguistics

You may search section to pave Me a statement on the concept of consistency of language and terminology, preferring the term as a counter-Arab accurate term newcomer (COHESION) and then release the concept of voice consistency.

The first section: shows the effect of assonance in achieving consistency script, which stopped at the definition of rhyme, and some of its divisions, and its function within the text, and then applied to the text of the commandment.

And taking the second topic: the impact of alliteration in achieving consistency script, and Me This section examining the types of alliteration most present at the time of Imam Ali (AS), and casts alliteration of an audio consistency between paragraphs of text, and its components after being dealt defined in the language and terminology.

And the third section: the effect of toning to achieve consistency script: study the impact of toning - which is one of Massahbat Aloda- to achieve consistency; toning making a significant impact in the audio coloring which suggests consistency script.


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